Sound Effects: Youth, Leisure, and the Politics of Rock |
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Sound Effects: Youth, Leisure, and the Politics of Rock'n'roll Simon Frith No preview available - 1981 |
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acts American argument artists audience became become began blues boys Britain British choice clubs concerns consumer consumption costs critics dance depends developed disco effect example experience expression fans girls groups hand ideology important independent individual industry interest involved jazz leisure less listeners live London majors mass mass culture matter means musicians needs obvious organization original particular performers play pleasure political popular possible problem production profit promotion publishers punk questions radio record companies reflected relationship result rock roll sell sense sexual social songs sort sound stars stations Stone street studio style success symbols tastes teenage thing tion values workers working-class writing York young youth culture