The Human Science of Communicology: A Phenomenology of Discourse in Foucault and Merleau-Ponty
Communicology is the study of human discourse in all of its forms, ranging from human gesture and speech to art and television. Commuicology also represents the dominant qualitative research paradigm in the discipline of human communication, especially in the applied areas of mass communication, philosophy of communication, and speech communication. Lanigan's work offers the bold and original thesis that Michel Foucault's thematic study of the discourse of desire and power is an elaboration of the problematic discourse explicated in Maurice Merleau-Ponty's interrogation of freedom and terror.
Various chapters cover such topics as art versus science, culture and communication, modernity versus postmodernity, feminism versus humanism, research methodology, and the capta versus data distinction for research validity. Actual examples of research cover the aesthetics of painting and sculpture, radio and television, rhetorical criticism of oral and written texts, and the East-West perspective on cross-cultural encounter -- all using the approach of semiotic phenomenology.
Two special features of this book make it useful for both teacher and scholar alike. First, Lanigan provides an encyclopedic dictionary that illustrates and defines the theory and method of the human sciences in general and the discipline of communicology in particular. Used for several years by teachers in a number of universities, this dictionary had already become a "classic" among students before its publication here. Second, Lanigan analyzes and illustrates what has been missing for years in the study of Foucault's work: a definition (with appropriate illustrative figures and tables) of Foucault's method of archaeology and genealogy (criticism) for research in the human sciences, especially in the study of human discourse.
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actual ambiguity analysis answer Appendix Archaeology becomes called capta chapter choice combination communication Communicology comparison concept condition consciousness constitute context course created critical culture described designation desire discourse eidetic embodied empirical event example existence existential experience explication expression fact figure Foucault French function genealogy gives human sciences illustration interpretation Jakobson's judgment knowledge language Lanigan linguistic lived logic marked meaning Merleau-Ponty metaphor method Michel Foucault nature Note object Order original work published painting parole particular perception person philosophy positive possible practice Praxis present problematic proposition reduction referent relation representation reversible rhetoric rule Schrag semiotic phenomenology sense signified social speaking specific speech statement structure symbolic television term thematic theoretical theory Things tion trans translation trope tropic turn understanding voice York