Philosophy, Technology, and the Arts in the Early Modern Era |
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Contents
of the Arts in the Seventeenth Century ΙΟΟ | 100 |
The NatureArt Relationship | 137 |
Truth and Utility in the Science | 146 |
Copyright | |
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Agostino Ramelli Agricola alchemists ancients antiquity appraisal Archimedes architecture Aristotelian Aristotle artisans artists assertion augmentis Bacon's philosophy Baconian Bari Biringuccio Boyle Brunelleschi Bruno Campanella character classical collaboration concept construction culture Daniel Barbaro Descartes discourse discoveries divine experience fact filosofia Florence Francis Bacon Galileo Garin Gassendi geometry Guidobaldo del Monte hand human race humanistic idea instruments interpretations inventions investigation knowl knowledge Koyré labor learned Leibniz Leon Battista Alberti Leonardo Leonardo da Vinci logic London machines manual mathematics matter mechanical arts medieval ment Mersenne metallica metals method mind moderns Mondolfo motion natural philosophy navigation Novum organum observations Oeuvres operations opposition Palissy Paris passage perfection philos Plato polemic practical precisely problems procedures progress Prometheus Renaissance Rinascimento Robert Boyle scientific siècle significance sixteenth century sunt technical technicians themes theoretical theory thesis things tion traditional treatises truth and utility Venice Vinci Vitruvius