Electronic and Computer Music
In this revised and expanded third edition of the classic text on the history and evolution of electronic and computer music, Peter Manning provides the definitive account of the medium from its birth to the present day.
After explaining the antecedents of electronic music from the turn of the century to the Second World War, Manning discusses the emergence of early "classical" studios of the 1950s. He goes on to chronicle the upsurge of creative activity during the 1960s and 70s in the analog domain, as well as with live electronic music and the early use of electronics in rock and pop music. This edition contains new information about software innovations, digital media and the essential features of digital and audio control, the MIDI synthesizer and its many derivatives, and the evolution of computer workstations and multimedia personal computers.
Manning offers a critical perspective of the medium both in terms of its musical output and the philosophical and technical features that have shaped its growth. Emphasizing the functional characteristics of emerging technologies and their influence on the creative development of the medium, Manning covers key developments in both commercial and the non-commercial sectors to provide readers with the most comprehensive resource available on this ever-evolving subject.
What people are saying - Write a review
We haven't found any reviews in the usual places.
The Background to 1945
Paris and Musique Concrete
Clogne and Elektronische Musik
Milan and Elsewhere in Europe
The VoltageControlled Synthesizer
Works for Tape
Live Electronic Music
From Analog to Digital The Evolution of MIDI Hardware
From Microcomputer to Music Computer The MIDI Dimension
New Horizons for MIDIbased Technologies
Personal Computers and Sound Processing
Music Workstations and Related Computing Architectures
New Horizons in Synthesis and Signal Processing Software
Rock and Pop Electronic Music
The Foundations of Computer Music
From Computer Technology to Musical Creativity
The Microprocessor Revolution
The Characteristics of Digital Audio
The Development of the MIDI Communications Protocol
acoustic amplitude analog analog synthesizer Apple Macintosh applications architecture associated basic byte CCRMA CDCM Centaur CRC channels chapter characteristics Cologne commercial complete composers composition computer music conventional create CSOUND devices digital audio digital-to-analog converter early electronic music electronic sounds empreints DIGITALes environment example facilities filters frequency functions graphics hardware input instruments Intel-based PC interest interface IRCAM keyboard latter loudspeakers machine Macintosh manipulation manufacturers material medium memory MIDI mode models modulation music workstation MUSICn musique concrete operating oscillators output performance personal computer piece pioneering pitch primary processor range recording released repertory result ring modulator sampler sampling rate Schaeffer score sequencer signal processing significant sixteen-bit specifically studio Synclavier Synket synthesis and signal synthesizer tape techniques timbre tion voice voltage voltage-controlled wave waveforms Wergo workstation Yamaha
All Book Search results »