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Poles Apart and Together
The Universal Giant
Emotion in Literary Response
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abstract metric acoustic Alcofribas ambiguity artistic form awareness back-dating Bessie Smith branle Chapter characters Chaucer the Pilgrim Chinon clitic concept consciousness considered consonants continuous voicing create criticism definition of stress described discussion duration effect emotional significance emphasised enjambement eternity example experience express fictional Figure formal frequency fundamental frequency Gargantua and Pantagruel glottis iambic pentameter imagined Implied Author intonation contour intonation patterns language line's linguistic linked literary loudness machine traces match meaning and emotional melody mental Mimesis mind narrative levels narratology notional instant novel objective poles overall pace Pantagruel Panurge paradox pause perception performance pitch poem poem's poet poetic line poetic stress poetry present prosody Rabelais reader reading real emotion relation rhythm rhythmic Ricoeur scansion semantic sense similar simultaneous sound spatio-temporal St Augustine story structure syllable syntactical talking target temporal tension translation unity verse voicing gap voicing patterns vowel whole words Wyatt