What Moroccan Cinema?: A Historical and Critical Study, 1956D2006

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Lexington Books, Aug 16, 2009 - Performing Arts - 392 pages
From its early focus on documentary film and nation building to its more recent spotlight on contemporary culture and feature filmmaking, Moroccan cinema has undergone tremendous change since the country's independence in 1956. In What Moroccan Cinema? A Historical and Critical Study, 1956-2006, Sandra Gayle Carter chronicles the changes in Moroccan laws, institutions, ancillary influences, individuals active in the field, representative films, and film culture during this fifty-year span. Focusing on Moroccan history and institutions relative to the cinema industry such as television, newspaper criticism, and Berber videomaking, What Moroccan Cinema? is an intriguing study of the ways in which three historical periods shaped the Moroccan cinema industry. Carter provides an insightful and thorough treatment of the cinema institution, discussing exhibition and distribution, censorship, and cinema clubs and caravans. Carter grounds her analysis by exploring representative films of each respective era. The groundbreaking analysis offered in What Moroccan Cinema? will prove especially valuable to those in film and Middle Eastern studies.
 

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Contents

Introduction
1
Laying the Industry Foundations 19561970
43
Looking to Define a Moroccan Aesthetic 19711985
89
New Developments New Audiences 19862006
187
Policies Recent Developments Themes and Conclusions
301
Appendix
325
Bibliography
343
Index
369
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About the author (2009)

Sandra Gayle Carter is an independent scholar working in Francophone literatures and film studies.

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