Dance Anatomy and Kinesiology

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Human Kinetics, 2007 - Medical - 533 pages
5 Reviews

All dancers are looking to achieve optimal performance—and Dance Anatomy and Kinesiologywill help them do just that.

This text helps dancers learn anatomical and biomechanical principles as they apply to dance performance. It focuses on optimal dance movement and the related principles for understanding the function of body joints. And by applying those principles, dancers can help reduce their risk of injury and enhance their performance longevity.

In addition, Dance Anatomy and Kinesiologyincludes special practical applications:
-Concept Demonstrations provide hands-on exercises to try.
-Tests and Measurements are specific to selected regions of the body.
-Dance Cues help analyze cue effectiveness and promote optimal movement execution.
-Study Questions and Applications help apply chapter concepts.
-Attachments provide the pronunciations, attachments, and key actions of the primary muscles covered in this text.

The first two chapters cover the skeletal and muscular systems as they apply to dance and provide basic anatomical terminology and concepts. Chapters 3 through 7 delve into specific areas of the body—the spine, the pelvic girdle and hip joint, the knee and patellofemoral joints, the ankle and foot, and the upper extremity.

These chapters encompass primary bones, muscles, joints, alignment deviations, mechanics, and injuries for the given region, with special considerations for dance. They present strength and flexibility exercises to help dancers improve technique and prevent injuries. And they contain many practical exercises and examples that are specific to dance technique to help dancers apply the material. The material is augmented by more than 250 illustrations and nearly 350 photographs, which will appeal to the visual learning abilities of many dancers and reinforce the connection between technique and art.

The final chapter presents a schema to help analyze full-body dance movements to determine optimal execution.

Dance Anatomy and Kinesiologyoffers valuable scientific knowledge and understanding for dancers, helping them to blend anatomical and kinesiological principles with artistic expression. Such a blend of science and art will empower dancers to realize their potential and expand their artistic vision.

 

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This book is perfect for improve hyperlordosis ! Thanks

Contents

CHAPTER 7
78
Bones and Bony Landmarks of the Hip Region
158
Description and Functions of Individual Hip Muscles
164
Pelvic and Hip Mechanics
181
Key Considerations for the Hip in Whole Body Movement
193
Conditioning Exercises for the Hip
211
Hip Injuries in Dancers
229
Summary
235
CHAPTER 8
248
The Ankle and Foot
297
References and Resources
503
Index
523
About the Author
533
Copyright

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Page 513 - The effect of neuromuscular training on the incidence of knee injury in female athletes, a prospective study.
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Page 510 - Anterior dysfunction of the sacroiliac joint as a major factor in the etiology of idiopathic low back pain syndrome.
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Page 516 - Proprioception in classical ballet dancers: A prospective study of the influence of an ankle sprain on proprioception in the ankle joint. Am J Sports Med 1996; 24(3): 370-74.
Page 509 - Kutner, M. (1979). Normative data on low back mobility and activity levels. American Journal of Physical Medicine, 58(5), 217-229.

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About the author (2007)

Karen Clippingerreceived her master's degree in exercise science from the University of Washington in 1984. Her lifelong work has focused on the application of scientific principles to enhance alignment and movement performance while reducing injury risk. She is currently a professor at California State University at Long Beach, where she teaches functional anatomy for dance, Pilates, placement for the dancer, prevention and care of dance injuries, and dance science related to teaching technique. Ms. Clippinger has also taught dance anatomy and kinesiology courses at UCLA, Scripps College, the University of Washington, and the University of Calgary. She serves as a faculty member for Body Arts and Science International.

Prior to her appointment at CSULB, Ms. Clippinger worked as a clinical kinesiologist for 22 years. She has also served as a consulting kinesiologist for the Pacific Northwest Ballet since 1981 and has consulted for the U.S. race walking team, the U.S. Weightlifting Federation, and the California Governor's Council on Physical Fitness and Sports.

Ms. Clippinger has given more than 350 presentations in the United States and abroad. She has taught workshops at many universities and has authored numerous articles and chapters. She wrote an exercise column for Shapemagazine for four years and served as one of the founding coeditors in chief of the Journal of Dance Medicine and Sciencefrom 1996 to 2005.

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