A Critique of Musicology: Clarifying the Scope, Limits, and Purposes of MusicologyA phenomenological study of music that describes the history of musicology from the time of Pythagoras through to the 19th-century movements. |
From inside the book
Results 1-3 of 38
Page 24
... modes , as discussed by Aristotle , were not the modes known in the 5th century as individual and autonomous , but as that complex of interchangeable modes and mixtures of modes that Plato described as coming into vogue in the 4th ...
... modes , as discussed by Aristotle , were not the modes known in the 5th century as individual and autonomous , but as that complex of interchangeable modes and mixtures of modes that Plato described as coming into vogue in the 4th ...
Page 94
... modes which Glarean adds to the traditional eight church modes . A glance at the title page of the Basel edition will demonstrate the importance Glarean placed on his modal theory . ( see Ex . 4 , next page ) Book I of this work is a ...
... modes which Glarean adds to the traditional eight church modes . A glance at the title page of the Basel edition will demonstrate the importance Glarean placed on his modal theory . ( see Ex . 4 , next page ) Book I of this work is a ...
Page 96
... modes ( see Ex . 4 ) : the Hyperaeolian ( B to b ) and the Hyperphrygian ( F to f ) . These he rejects because the scale cannot be divided between a perfect 5th and perfect 4th as in all the other modes . ... its < hyperaeolian > ...
... modes ( see Ex . 4 ) : the Hyperaeolian ( B to b ) and the Hyperphrygian ( F to f ) . These he rejects because the scale cannot be divided between a perfect 5th and perfect 4th as in all the other modes . ... its < hyperaeolian > ...
Contents
Chapter | 1 |
A RETROSPECTIVE OF MUSICOLOGY PART | 13 |
St Augustine 354430 | 47 |
Copyright | |
19 other sections not shown
Common terms and phrases
19th century aesthetics Age of Reason Ambros ancient areas Aristides Quintilianus Aristotle Aristoxenus aspects bibliography biography Boëthius Breitkopf & Härtel chapter chords composers composition concept counterpoint critical cultural Cursus Completus Latina Descartes dictionary dissonance division edition Eitner ethnomusicology Fétis Forkel fugue Georg Olms Gerbert Geschichte Glarean Greek music Guido Adler harmonic series harmonic theory harmony Hauptmann Hawkins history of music Hugo Riemann human Ibid Institute of Musicology intervals J. P. Migne Johann Mattheson Johannes Tinctoris Joseph Sauveur Kretzschmar Leipzig Marpurg Mattheson melody Micrologus modes music history music theory musical instruments musical practice musician musicology Musik Musikwissenschaft nature notation octave Odo of Cluny organology Paris performance practice physiological pitch Plato Pythagoras Pythagorean Rameau relationship Renaissance Rousseau Sauveur schema sound Source Readings speculative Strunk study of music style systematic musicology theoretical theorists tonality trans Translated tuning University Press W. W. Norton writes wrote York Zarlino