Voices from the Straw Mat: Toward an Ethnography of Korean Story Singing
From its humble straw mat origins to its paradoxical status as a national treasure, p'ansori has survived centuries of change and remains the primary source of Korean narrative and poetic consciousness. In this innovative work, Chan Park celebrates her subject not as a static phenomenon but a living, organic tradition adapting to an ever-shifting context. Drawing on her extensive literary and performance backgrounds, Park provides insights into the relationship between language and music, singing and speaking, and-traditional and modern reception. Her performance-centered approach to p'an-sori informs the discussion of a wide range of topics, including the amalgamation of the dramatic, the narrative, and the poetic; the invocation of traditional narrative in contemporary politics; the vocal construction of gender; and the politics of preservation.
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Introduction to Part One
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aesthetics ancient angguk Arirang artistic audience Beijing opera Blindman Shim century ch'angguk Ch'oe Ch'unhyang chant characters chinyang Cholla Chong Kwonjin version Chong Noshik Chonju Choson ch'angguk chungjungmori chungmori Confucian context cultural dance death drum drummer father female filial gender genres Han'guk ch'angguk Heaven History of Korea human Hungbo Ibid Japanese Kihong kisaeng Korean drama Korean language Korean music kwangdae Kyongsang language learner literary lyrical male melodic minyo Minyong modern Korean Mongnyong monk mountains Namwon narrator Neo-Confucian Nolbo onomatopoetic oral p'an p'ansori narratives p'ansori singing Paek Hyonmi Pak Hwang performance Pihl poetic political pray Red Cliff rhythmic cycles ritual sanjo Seoul shaman Shim Ch'ong Shin Chaehyo sijo sinawi singers social Song of Ch'unhyang Song of Red Song of Shim sori spirit stage style Sugungga t'aryong Taewon'gun teacher theater tion traditional Underwater Palace vocal voice Western women yangban Yangdok yon'gu