Myths and Symbols in Indian Art and Civilization

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Princeton University Press, 1972 - Art - 248 pages
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This book interprets for the Western mind the key motifs of India's legend, myth, and folklore, taken directly from the Sanskrit, and illustrated with seventy plates of Indian art. It is primarily an introduction to image-thinking and picture-reading in Indian art and thought, and it seeks to make the profound Hindu and Buddhist intuitions of the riddles of life and death recognizable not merely as Oriental but as universal elements.

 

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Contents

II
3
III
11
IV
19
VI
23
VII
27
VIII
35
X
53
XI
59
XIX
123
XX
130
XXI
137
XXII
148
XXIII
151
XXV
175
XXVI
185
XXVII
189

XII
69
XIII
72
XV
77
XVI
90
XVII
102
XVIII
109
XXVIII
197
XXIX
217
XXX
223
XXXI
249
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About the author (1972)

Jospeh Campbell was born on March 26th in 1904, in White Plains, NY. As a child in New York, Campbell became interested in Native Americans and mythology through books about American Indians and visits to the American Museum of Natural History. Campbell attended Iona, a private school in Westchester NY, before his mother enrolled him at Canterbury, a Catholic residential school in New Milford CT. He graduated from Canterbury in 1921, and the following September, entered Dartmouth College; he soon dropped out and transferred to Columbia University, where he excelled. While specializing in medieval literature, he played in a jazz band, and became a star runner. After earning a B.A. from Columbia in 1925, and receiving an M.A. in 1927 for his work in Arthurian Studies, Campbell was awarded a Proudfit Traveling Fellowship to continue his studies at the University of Paris, studying medieval French and Sanskrit in Paris and Germany. After he had received and rejected an offer to teach at his high school alma mater, his Fellowship was renewed, and he traveled to Germany to resume his studies at the University of Munich. After travelling for some time, seeing the world, he was offered a teaching position at the Canterbury School. He returned to the East Coast, where he endured an unhappy year as a Canterbury housemaster, but sold his first short story, Strictly Platonic, to Liberty magazine. Then, in 1933, he moved to Woodstock NY, where he spent a year reading and writing. In 1934, he was offered and accepted a position in the literature department at Sarah Lawrence College, a post he would retain for thirty-eight years. His first, full-length title, The Hero with a Thousand Faces, was published to acclaim and brought him numerous awards and honors, among them the National Institute of Arts and Letters Award for Contributions to Creative Literature. During the 1940s and 1950s he collaborated with Swami Nikhilananda on translations of the Upanishads and The Gospel of Sri Ramakrishna. Over the years, he edited The Portable Arabian Nights and was general editor of the series Man and Myth. In 1956, he was invited to speak at the State Departments Foreign Service Institute. His talks were so well-received, that he was invited back annually for the next seventeen years. In the mid-1950s, he also undertook a series of public lectures at Cooper Union in New York City; these talks drew an ever-larger, audience, and soon became a regular event. In 1985, Campbell was awarded the National Arts Club Gold Medal of Honor in Literature. Campbell wrote more than 40 books including The Hero with a Thousand Faces, The Mythic Image, and The Power of Myth with Bill Moyers, and is now considered one of the foremost interpreters of sacred tradition in modern time. Joseph Camppbell died in 1987 after a brief struggle with cancer.