Electronic Music Circuit Guidebook |
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Page 99
... control of an amplifier . Even though the Mark II allowed for automatic control of the amplifiers , information still had to be punched into its programing tape for each individual note . With voltage control the job of setting the ...
... control of an amplifier . Even though the Mark II allowed for automatic control of the amplifiers , information still had to be punched into its programing tape for each individual note . With voltage control the job of setting the ...
Page 105
... amplifier . As you may imagine , it would be at best cumbersome to twiddle the knob of an amplifier fast enough to simulate percussive attack ; but voltage control comes to the rescue in the form of the voltage - controlled amplifier ( VCA ) ...
... amplifier . As you may imagine , it would be at best cumbersome to twiddle the knob of an amplifier fast enough to simulate percussive attack ; but voltage control comes to the rescue in the form of the voltage - controlled amplifier ( VCA ) ...
Page 113
... control paths through PAIA's Gnome synthesizer . The vco always feeds the input of the VCF , and the VCA can get its input either directly from the vco or from the output of the VCF . The control voltage for the VCA always comes from ...
... control paths through PAIA's Gnome synthesizer . The vco always feeds the input of the VCF , and the VCA can get its input either directly from the vco or from the output of the VCF . The control voltage for the VCA always comes from ...
Contents
An Introduction to Electronic Sound | 9 |
Experimenters Circuits | 38 |
grated Circuits | 53 |
Copyright | |
4 other sections not shown
Common terms and phrases
adjust allow amplitude applied attack and decay attenuator audio bandpass filter BONGO HI BONGO BRUSH BRUSH BRUSH calibration capacitor center frequency circuit board circuitry clockwise collector Connect control inputs control oscillator control voltage control voltage source controller strip current flow CYMBAL Design Analysis diode DRUM DRUM DRUM effect electronic music emitter envelope shaper feedback function Gnome increases inverting input key is pressed keyboard LONG BRUSH MAX MIN MAX maximum module multivibrator noise source noninverting input octave operational amplifier oscilloscope output voltage PAIA PAIA Electronics percussion piano potentiometer power supply produce pulse ramp reset resistors result rotation sequence shown in Fig simulate sine wave sound source square wave string sustain switch synthesizer Synthespin tape tempo tone transistor tremolo triangle TRIGGER button trimmer tuning turn unijunction variable varying VCO RANGE control vibrating voltage divider voltage-controlled amplifier voltage-controlled filter voltage-controlled oscillator waveform zero