Making Time in Stanley Kubrick's Barry Lyndon: Art, History, and EmpireConsidered by critics to be Stanley Kubrick's masterpiece, Barry Lyndon has suffered from scholarly and popular neglect. Maria Pramaggiore argues that one key reason that this film remains unappreciated, even by Kubrick aficionados, is that its transnational and intermedial contexts have not been fully explored. Taking a novel approach, she looks at the film from a transnational perspective -- as a foreign production shot in Ireland and an adaptation of a British novel by an American director about an Irish subject. Pramaggiore argues that, in Barry Lyndon, Kubrick develops his richest philosophical mediation on cinema's capacity to mediate the real and foregrounds film's relationship to other technologies of visuality, including painting, photography, and digital media. |
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Making Time in Stanley Kubrick's Barry Lyndon: Art, History, and Empire Maria Pramaggiore Limited preview - 2014 |
Making Time in Stanley Kubrick's Barry Lyndon: Art, History, and Empire Maria Pramaggiore Limited preview - 2014 |
Making Time in Stanley Kubrick's Barry Lyndon: Art, History, and Empire Maria Pramaggiore No preview available - 2014 |