Misreadings

Front Cover
Pan Macmillan, 1994 - Literary Criticism - 180 pages
5 Reviews

In an upside-down Lolita, Umberto Umberto pursues a granny with ‘whitely lascivious locks’. Professor Anouk Ooma of Prince Joseph’s Land University addresses his colleagues on recent archaeological findings that shed light on the poetry of Italy before the Explosion. Columbus’s landing in the New World is covered by television reporters, commentators and guest experts. We are permitted to see in-house publisher’s readers’ reports, most of them unfavourable, on such submissions as The Odyssey, Don Quixote, Kant’s Critique of Pure Reason, and the Five Books of Moses; and we hear a diatribe, in ancient Greece, against the vulgarity of such upstarts as Herodotus, Thucydides and Plato.

‘For sheer exuberant good humour, nothing could surpass Misreadings, a collection of parodies and squibs that began appearing in the 1950s and 1960s, but whose panache has not faded one bit’ Marina Warner, Books of the Year, Independent on Sunday

‘Made up of vintage, good-humoured games – parodies of think-pieces, spoof essays and carnival pranks’ Lorna Sage, Books of the Year, Observer

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Review: Misreadings (Diario minimo #1)

User Review  - Goodreads

Reminds me of The Plato Papers by Peter Ackroyd, love both books. The future rendition of our time as history, getting it all wrong. Read full review

Review: Misreadings (Diario minimo #1)

User Review  - Goodreads

A gem of a book, great collection of short essays of a satirist at his absolute best. Made two of my one-hour evening commutes an absolute joy Read full review

About the author (1994)

First a semiotician at the University of Bologna, and a leading figure in contemporary Italian culture, Eco brought semiotics to fiction in his first novel, The Name of the Rose (1980). This unexpected international best-seller employs the techniques of a detective novel along with sophisticated postmodern narrative and verbal conundrums, to recount a series of murders in a medieval monastery. Eco's fascination with the Middle Ages began when he was a student at the University of Torino, where he wrote his doctoral thesis (1954) on St. Thomas Aquinas. The Name of the Rose (1980) won the Premio Strega and the Premio Anghiar awards in 1981, as well as numerous international awards. His title The Prague Cementary made The New York Times best seller list for 2011.

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