From Dictatorship to Democracy: The Recent Plays of Buero Vallejo (from La Fundación to Música Cercana) |
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Page 170
... Rosa , at least initially , knows what the facts are . However , she re- jects them . Each time she hears knocks at the door in the hall she desperately hopes that it is her daughter . The unreal world in which Rosa lives is suggested ...
... Rosa , at least initially , knows what the facts are . However , she re- jects them . Each time she hears knocks at the door in the hall she desperately hopes that it is her daughter . The unreal world in which Rosa lives is suggested ...
Page 171
... Rosa's family and of the barrio . Only later are they allowed to share her abnormal visual and aural perceptions . Moreover , since Rosa's hallucinations are intermittent , the " immersion effect " is not exploited as extensively as in ...
... Rosa's family and of the barrio . Only later are they allowed to share her abnormal visual and aural perceptions . Moreover , since Rosa's hallucinations are intermittent , the " immersion effect " is not exploited as extensively as in ...
Page 172
... Rosa explains the legend of the cayman , the subject of the play she is writing for the children at the neigh- borhood cultural center to stage . In this American Indian legend that Buero invents , an ancient chief swallowed by a cayman ...
... Rosa explains the legend of the cayman , the subject of the play she is writing for the children at the neigh- borhood cultural center to stage . In this American Indian legend that Buero invents , an ancient chief swallowed by a cayman ...
Contents
CONTENTS | 7 |
Major plays of the Franco era an overview | 30 |
Dialectic tragedy and symbolism | 61 |
Copyright | |
9 other sections not shown
Common terms and phrases
accept action Alfredo Amparo Antonio Buero Vallejo appears attempt audience become beginning blind Caimán calls characters clear closed condemned considers constitutes continues critic death describes despite detonación dialectical Diálogo secreto drama dreams earlier effect errors explains Fabio face father fear figures final follows forced former Franco freedom Fundación future guilt historia hope idea immersion important individual José Juan Luis judge Jueces La Fundación Larra latter Lázaro liberal light living Madrid mind Música narrator Néstor never Nevertheless notes painting past play playwright points political possible present prison problems protagonist reality recent reflects remains represents result reveal Rosa scene seen share shows social society Spain Spanish speaks spectators stage subjective suggests symbol teatro theater tion Tomás tragaluz tragedy tragic truth University vision window writes young