From Dictatorship to Democracy: The Recent Plays of Buero Vallejo (from La Fundación to Música Cercana) |
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Page 93
... represents a commentary on Spain of the 1970s , it is also a metaphysical parable and , thus , one of Buero's most universal plays.23 The prisons of which he speaks enslave not only the body but the mind . The question " ¿ Por qué es ...
... represents a commentary on Spain of the 1970s , it is also a metaphysical parable and , thus , one of Buero's most universal plays.23 The prisons of which he speaks enslave not only the body but the mind . The question " ¿ Por qué es ...
Page 94
... represents the truth and freedom that may exist at the end of the tunnel from the prison . Buero's own preoccupation with light and the mystery it represents may be re- flected in the third painting : Vermeer's The Art of Painting ...
... represents the truth and freedom that may exist at the end of the tunnel from the prison . Buero's own preoccupation with light and the mystery it represents may be re- flected in the third painting : Vermeer's The Art of Painting ...
Page 145
... represents the definitive victory of Fermín , the rival he destroyed , as well as his own condemnation to a future that holds only loneliness.25 Juan Luis , who describes himself to his wife's Leftist friend , Cristina , as " Católico ...
... represents the definitive victory of Fermín , the rival he destroyed , as well as his own condemnation to a future that holds only loneliness.25 Juan Luis , who describes himself to his wife's Leftist friend , Cristina , as " Católico ...
Contents
CONTENTS | 7 |
Major plays of the Franco era an overview | 30 |
Dialectic tragedy and symbolism | 61 |
Copyright | |
9 other sections not shown
Common terms and phrases
accept action Alfredo Amparo Antonio Buero Vallejo appears attempt audience become beginning blind Caimán calls characters clear closed condemned considers constitutes continues critic death describes despite detonación dialectical Diálogo secreto drama dreams earlier effect errors explains Fabio face father fear figures final follows forced former Franco freedom Fundación future guilt historia hope idea immersion important individual José Juan Luis judge Jueces La Fundación Larra latter Lázaro liberal light living Madrid mind Música narrator Néstor never Nevertheless notes painting past play playwright points political possible present prison problems protagonist reality recent reflects remains represents result reveal Rosa scene seen share shows social society Spain Spanish speaks spectators stage subjective suggests symbol teatro theater tion Tomás tragaluz tragedy tragic truth University vision window writes young