Illegitimate Power: Bastards in Renaissance Drama

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Manchester University Press, 1994 - Literary Criticism - 282 pages
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In Renaissance drama, the bastard is an extraordinarily powerful and disruptive figure. We have only to think of Caliban or of Edmund to realise the challenge presented by the illegitimate child. Drawing on a wide range of play texts, Alison Findlay shows how illegitimacy encoded and threatened to deconstruct some of the basic tenets of patriarchal rule. She considers bastards as indicators and instigators of crisis in early modern England, reading them in relation to witchcraft, spiritual insecurities and social unrest in family and State. The characters discussed range from demi-devils, unnatural villains and clowns to outstandingly heroic or virtuous types who challenge officially sanctioned ideas of illegitimacy. The final chapter of the book considers bastards in performance; their relationship with theatre spaces and audiences. Illegitimate voices, Findlay argues, can bring about the death of the author/father and open the text as a piece of theatre, challenging accepted notions of authority.
 

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Contents

Bastardy and evil45
45
Unnatural children85
85
Natural children129
129
Heroic bastards170
170
Bastards and theatre213
213
Appendix Plays with bastard characters 15881652253
253
Index276
276
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