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CONTENTS PREFACE 7 CHAPTER ONE
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abstract art Abstract Expressionism Abstract Expressionist achieved Acrylic resin allover Alpha artist aspects began bottom edge bronze Veils cm Collection Color Field painting contour cropping Cubist decorative diagonal disembodied drawing drawn earlier effect elements Emmerich flatness framing edges Frankenthaler's French & Company Gallery Graham Gund Greenberg Helen Frankenthaler horizontal hues illusion illusionism Impressionism Impressionist Italian Veils Jackson Pollock Kenneth Noland kind Kooning later Leonard Bocour light Louis and Noland Louis's art Louis's lifetime Louis's pictures Matisse Matisse's method Michael Fried Modern Art modular Moffett Morris Louis Mountains and Sea Museum of Modern Newman Number One-man exhibition opposite painted area painter painterly pictorial poured produced resin on canvas rivulets scrim sculptural seems sense separate series of Veils space stained stretcher Stripe pictures studio style surface Surrealist automatism Symbolist tangibility tended tonal contrasts top edge traditional Unfurleds Untitled Upright veil image veil shape vertical visually Washington watercolor whole York