Cratinus and the Art of Comedy

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OUP Oxford, Dec 17, 2009 - Drama - 400 pages
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Cratinus, one of the lost great poets of fifth-century Athenian comedy, had a formative influence on the comic genre, including Aristophanes himself. Using a methodologically innovative approach, Emmanuela Bakola studies the surviving fragments of Cratinus' plays and offers a thorough analysis of the multifaceted art of this poet and his place in the history of comedy. Issues which she addresses include the creation of a poetic personality within a performative tradition of fierce interpoetic rivalry; the play at the boundaries of the comic genre and the interaction with satyr drama and tragedy, especially Aeschylus; stagecraft and dramaturgy; comic plot-construction and characterization; the author's reflection on his immediate political, social and intellectual context. As well as providing insight into Cratinus, her book enriches our understanding of fifth-century Athenian comedy in a dynamic evolving environment.
 

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Contents

Introduction
1
1 Poetic Persona and Poetic Voice in Cratinus Comedy
13
2 Cratinus and the Satyr Play
81
3 Cratinus and Tragedy
118
Elements of PlotComposition in the Comedy of Cratinus
180
5 Production and Imagination
230
Appendix 1 The Parabasis Proper of Cratinus Dionysalexandros POxy 663 ll 69
297
Appendix 2 The Date of the Accusations against Phidias and his Trial
305
Appendix 3 Papyrus fragments of Plutoi
313
Appendix 4 Hypothesis to Dionysalexandros POxy 663 text edited by KA iv 140
320
Appendix 5 New Edition of the Papyrus Hypothesis to Dionysalexandros POxy 663
322
References
324
Index of Passages
355
General Index
369
Copyright

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About the author (2009)

Emmanuela Bakola is British Academy Postdoctoral Research Fellow, Department of Greek and Latin, University College London.

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