Women in Chinese Martial Arts Films of the New Millennium: Narrative Analyses and Gender Politics
Women and Gender in Chinese Martial Arts Films of the New Millennium, by Ya-chen Chen, is an excavation of underexposed gender issues focusing mainly on contradictory and troubled feminism in the film narratives. In the cinematic world of martial arts films, one can easily find representations of women of Ancient China released from the constraints of patriarchal social order to revel in a dreamlike space of their own. They can develop themselves, protect themselves, and even defeat or conquer men. This world not only frees women from the convention of foot-binding, but it also "unbinds" them in terms of education, critical thinking, talent, ambition, opportunities to socialize with different men, and the freedom or right to both choose their spouse and decide their own fate. Chen calls this phenomenon "Chinese cinematic martial arts feminism."
The liberation is never sustaining or complete, however; Chen reveals the presence of a glass ceiling marking the maximal exercise of feminism and women's rights which the patriarchal order is willing to accept. As such, these films are not to be seen as celebrations of feminist liberation, but as enunciations of the patriarchal authority that suffuses "Chinese cinematic martial arts feminism." The film narratives under examination include Crouching Tiger, Hidden Dragon (directed by Ang Lee); Hero (Zhang Yimou); House of the Flying Daggers (Zhang Yimou); Seven Swords (Tsui Hark); The Promise (Chen Kaige); The Banquet (Feng Xiaogang); and Curst of the Golden Flower (Zhang Yimou). Chen also touches upon the plots of two of the earliest award-winning Chinese martial arts films, A Touch of Zen and Legend of the Mountain, both directed by King Hu.
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Part 1 Narrative Analyses of Chinese Women and Gender Concerns
Part 2 Integrated Analyses about the Limitation of Feminist Emancipation
Part 3 Interviews
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ancient Chinese women Ang Lee award-winning Banquet Beijing Broken Sword Chen Kaige China Chinese Cinema Chinese Films Chinese martial arts Chu Zhaonan Cinderella cinematic martial arts ciqin consult Crouching Tiger Hidden crown prince Culture death Emperor female protagonists female students female teachers feminist Feng Fenghuo Liancheng ﬁlm Flying Daggers Flying Snow fox spirits Fox’s gender glass ceiling Golden Flower Guangming Hong Kong House of Flying Hu’s Jade Fox Jiang Chan Jiang Nanhe Jiaolong jiaren Jing Ke King Hu king’s first wife kung fu Kunlun Legend literary Liu Yufang love triangle Luo Xiaohu LUZhu male filmmakers male teachers martial arts films men’s Moon Mubai Nameless patriarchal Qing Qingcheng queen romantic love screenplay screenwriters Seven Swords sexual Shakespeare Snow White story Tang Dynasty tianxia Tiger Hidden Dragon University Press viewers Wan’er Wang woman Wu Zetian Wuhuan Xiaomei Xiulian Yannian’s Yi'l Ying Zheng York Yu Jiaolong Zhang Yimou Zhou