Imitation Nation: Red, White, and Blackface in Early and Antebellum US Literature

Front Cover
University of Virginia Press, Dec 26, 2017 - Literary Criticism - 256 pages
0 Reviews
Reviews aren't verified, but Google checks for and removes fake content when it's identified

How did early Americans define themselves? The American exceptionalist perspective tells us that the young republic rejected Europeans, Native Americans, and African Americans in order to isolate a national culture and a white national identity. Imitativeness at this time was often seen as antithetical to self and national creation, but Jason Richards argues that imitation was in fact central to such creation. Imitation Nation shows how whites simultaneously imitated and therefore absorbed the cultures they so readily disavowed, as well as how Indians and blacks emulated the power and privilege of whiteness while they mocked and resisted white authority.


By examining the republic’s foundational literature--including works by Washington Irving, James Fenimore Cooper, Harriet Beecher Stowe, Herman Melville, and Martin Delany--Richards argues that the national desire for cultural uniqueness and racial purity was in constant conflict with the national need to imitate the racial and cultural other for self-definition. The book offers a new model for understanding the ways in which the nation’s identity and literature took shape during the early phases of the American republic.

 

What people are saying - Write a review

We haven't found any reviews in the usual places.

Contents

Acknowledgments
Redface Desire European
Washington Irving and Blackface
Redface Whiteface and
Blackface Minstrelsy and the Making of African American
Whiteface Blackface
Blackface Violence and the Early African American Novel
Absorbing Mimesis
Bibliography
Index
Copyright

Other editions - View all

Common terms and phrases

About the author (2017)

Jason Richards is Assistant Professor of English at Rhodes College.

Bibliographic information