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acanthus adaptation aperture appear architecture areas artistic background blue bowl brightness Byzantine art ceiling centuries chandeliers chapters church civilization classic art colored light colored media concealed crystal glass daylight decorative scheme desired developed diffusing glass dining room direct and indirect direct light dome Eastern Roman Empire electric candles electric filament electric lamps emitted esthetic flames Flemish forms French Renaissance furniture glassware Gothic green illuminated illustrated in Fig indirect component influence installed interiors introduced Jacobean lantern light sources lighting effect lighting equipment lighting fixtures Louis XIV luminous medium metal modern lighting motifs natural obtained oil lamps ornament painted panels period style pigments portable lamps possibilities powerful primary primary colors produced pure colors reflected reflector Renaissance result Roman Romanesque satisfactory shades shadows spectral spirit supply surfaces symbolisms textiles tints tints and shades tion usually utilize variety various vase viewpoint violet wall boxes walls yellow