The Grand Canyon of Arizona: being a book of words from many pens, about the Grand Canyon of the Colorado River in Arizona
Passenger department of the Santa Fe, 1902 - Colorado River (Colo.-Mexico) - 115 pages
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abyss Algonkian Archean awful beauty beds beneath black gneiss boats bottom Bright Angel Bright Angel Trail brink buttes Cambrian Camp Canyon of Arizona Cataract Canyon chasm cinder cliffs clouds color Colorado River Cretaceous dark deep depths descend desert Diamond Creek distance earth Eocene erosion escarpment expedition exploration falls Flagstaff forest forms geologic glory Grand Canyon Grand Canyon region Grand View grandeur gray Havasupai hundred Indian John Hance journey Kaibab Kaibab Plateau Kanab land lava Lee's Ferry limestone look Marble Canyon mighty miles mysterious nearly Niagara night paint Peach Springs pines purple rapids reached rise roar rock San Francisco Peaks sandstone scene scenery sediments seems seen shadows side silence splendor stand strata stream stupendous sublime summit Sunset Mountain surface temples terraces thickness thousands of feet towers trip uplift valley vast volcanic wall wave whole winter wonder Yosemite
Page 67 - At length — at length — after so many days Of weary pilgrimage and burning thirst (Thirst for the springs of lore that in thee lie), I...
Page 89 - The duchess threw up her arms and screamed. We were not fifteen paces behind, but we saw nothing. We took the few steps, and the whole magnificence broke upon us. No one could be prepared for it. The scene is one to strike dumb with awe, or to unstring the nerves; one might stand in silent astonishment, another would burst into tears.
Page 13 - The beholder is at first unimpressed by any detail; he is overwhelmed by the ensemble of a stupendous panorama, a thousand square miles in extent, that lies wholly beneath the eye, as if he stood upon a mountain peak instead of the level brink of a fearful chasm in the plateau whose opposite shore is thirteen miles away. A labyrinth of huge architectural forms, endlessly varied in design, fretted with ornamental devices...
Page 55 - For humanity intruded here; in these warm and glowing purple spaces disembodied spirits must range and soar, souls purged and purified and infinitely daring. I felt keenly sure of mighty presences among the edifices vast in scope and perfect in design that rose from the first foundations of the earth to the lofty level of my jagged rock. Prophets and poets had wandered here before they were born to tell their mighty tales— Isaiah and Aeschylus and Dante, the giants who dared the utmost.
Page 32 - But in the overlapping yet distinctive series which follow each other from day to day and from week to week and from month to month, and from year to year...
Page 123 - This canon is several hundred feet deep and some three miles long, with steep terraced walls of limestone. Along the shelving terraces, under beetling projections of the strata, are scores of these quaint abodes. The larger are divided into four or five compartments by cemented walls, many parts of which are still intact. It is believed that these ancient people customarily dwelt upon the plateau above, retiring to their fortifications when attacked by an enemy.
Page 17 - Then darkness falls, and should there be a moon, the scene in part revives in silver light, a thousand spectral forms projected from inscrutable gloom; dreams of mountains, as in their sleep they brood on things eternal.
Page 15 - The traveler stops a moment beneath a slanting cliff 500 feet high, where there is an Indian grave and pottery scattered about. A gigantic niche has been worn in the face of this cavernous cliff, which, in recognition of its fancied Egyptian character, was named the Temple of Sett by the painter, Thomas Moran. A little beyond this temple it becomes necessary to abandon the animals. The river is still a mile and a half distant. The way narrows now to a mere notch, where two wagons could barely pass,...
Page 27 - These are the elements with which the walls are constructed, from black buttress below to alabaster tower above. All of these elements weather in different forms and are painted in different colors, so that the wall presents a highly complex facade. A wall of homogeneous granite, like that in the Yosemite, is but a naked wall, whether it be 1,000 or 5,000 feet high. Hundreds and thousands of feet mean nothing to the eye when they stand in a meaningless front. A mountain covered by pure snow 10,000...
Page 17 - Still, such particulars can not long hold the attention, for the panorama is the real, overmastering charm. It is never twice the same. Although you. think you have spelt out every temple and peak and escarpment, as the angle of sunlight changes there begins a ghostly advance of colossal forms from the farther side, and what you had taken to be the ultimate wall is seen to be made up of still other isolated sculptures, revealed now for the first time by silhouetting shadow.