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Chapter IIDanto and the Revival of Theory
Chapter IVThe Institutional Nature of Art
Chapter VThe Artworld
activity aesthetic attitude aesthetic object aesthetic perception aesthetic qualities aesthetic-attitude aesthetically relevant aestheticians appreciated and/or criticized argument art possible art theory art-making artifactual art artistic theories artworld system aspects Beardsley Beardsley's Binkley Brillo Box called candidate for appreciation chapter Chinese property claim conception of art Conceptual Art condition of art context conventions create art creation of art cultural Danto descriptive art artifact descriptive art nonartifact discussion driftwood Duchamp earlier essence of art essential example Fountain framework George Dickie Guggenheim Museum imitation theory institutional theory involved Iseminger Iseminger's Kendall Walton kind Korsmeyer Lascaux McGregor means Monroe Beardsley nature of art necessary condition nonaesthetic notion painting Peter Kivy philosophers of art Plato presented prior-established remarks resemblance Robert Schultz role of artist Romantic artist Schultz similarity art simple specification statement theories make art theorists theory of art things thoughts about art tion traditional theories Weitz Ziff