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Irony and Mysticism in Balbina de Iansa
Dynamics of the Dramatic Dialogue in Barrela
Humor as a Metaphor for Communication
3 other sections not shown
according actants action actor Afro-Brazilian Afro-Brazilian cults analysis analyzed articulated artistic aspect audience Bahia Balada Balbina de Iansa Barrela Bereco Boba Boba's Bobo Plin Brazil Candomble cellmates chapter characters Chaudhuri circus clowns communication conflict context create critics deictic deixis Dois Perdidos dominant dramatic and performance dramatic dialogue dramatic text dramatist duality Editora Elam elements episode existential Expedito Fumaça function Garoto gente Iansã Iansd important interaction interpretation Joao language linguistic Louco Macumba Madame Blavatsky Marcos's plays meaning Menelao metaphor metatheatrical metonymic Morcego Mukarovsky Noite Suja Ogum opposition orixds Oxum Palhago Paulo Pausa Perdidos numa Noite performance text playwright Plfnio Marcos Plin's plot Portuga present proxemics refers relationship religious represent role santo São Paulo scene semiotic shifters signified social speeches spiritual stage directions structure SZOKA theater theatrical sign theme throughout the play Tirica tradition Umbanda verbal displays Walderez de Barros Xango Zefa Zefa's Zeninha