The Jazz Book: From Ragtime to the 21st Century

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Chicago Review Press, Aug 1, 2009 - Music - 816 pages
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 For fifty years The Jazz Book has been the most encyclopedic interpretive history of jazz available in one volume.

  In this new seventh edition, each chapter has been completely revised and expanded to incorporate the dominant styles and musicians since the book’s last publication in 1992, as well as the fruits of current research about earlier periods in the history of jazz. In addition, new chapters have been added on John Zorn, jazz in the 1990s and beyond, samplers, the tuba, the harmonica, non-Western instruments, postmodernist and repertory big bands, how the avant-garde has explored tradition, and many other subjects.   With a widespread resurgence of interest in jazz, The Jazz Book will continue well into the 21st century to fill the need for information about an art form widely regarded as America’s greatest contribution to the world’s musical culture.
 

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The Jazz Book: From Ragtime to the 21st Century

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Jazz encompasses such a variety of styles that it is often difficult to understand its evolution. Exploring how each generation of musicians has added to and transformed the genre, Berendt and ... Read full review

Contents

The Musicians of Iazz
1899
Duke Ellington
1923
Coleman Hawkins and Lester Young
1934
Stylistic Diversity and the Art of Interaction
Discography
Copyright

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About the author (2009)

 Joachim-Ernst Berendt (1922–2000) was an internationally known authority on jazz and the author of more than 20 books. His Jazz Book was first published in 1952 and has been translated into many languages. GŁnther Huesmann studied musicology, film and television, and pedagogy; a festival organizer and writer for jazz radio shows, he was responsible for the previous revision of The Jazz Book.

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