Profane Mythology: The Savage Mind of the Cinema |
Contents
Means and Potentials of FilmThought | 11 |
The Realm of the Everyday | 54 |
Metonymic Writing | 85 |
Copyright | |
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ability abstract action activities allusion appear articulation arts banal basic beauty become behavior Bergman Bicycle Thieves big city Bresson camera cinema cognition communication concepts concrete condensed consciousness created Cries and Whispers Das Kapital direct dramatic dreams dynamic Dziga Vertov Easy Rider elements emotional emphasis environment everyday everything evocation evokes example existence experience experience-thought expression feel film film-thought film's fragments function gestures Godard happens heroes human images inner intellectual interpretation Jancsó's language lives logic magical man's means medium memories mental metaphor method metonymic mode montage motion movement mythical myths nature objects organic peculiar physical Pierrot le Fou possible precisely present reality realized Red Psalm relationships rhythm ritual Roger Caillois role screen sensory simple social space perception structure Susanne Langer symbols tension things thinking thought tion truth turns Un Chien Andalou Viridiana visual visual concepts whole