Hindustani Music: Its Physics and Aesthetics |
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Contents
The Nature and Limitations of | 25 |
The Evolution of the Musical Scale | 36 |
From Speech and Recitation to Folk | 52 |
Copyright | |
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Common terms and phrases
accompaniment according ęsthetic ancient appeal artistic base becomes begin belong called chant chapter character chords chosen classical close common considered consonant dissonant drone effect emotional employed expression fact Fifth four Fourth fundamental further Gamakas give given glide Grāma hand harmonic hence higher Indian music individual interval known laws less lines lower Major manner means melody mood nature notation notes Octave Pandit partials particular performer period physical pitch played poetic poetry possible practice prime principle processes prominence Raga Rāgas recitation reference relation relationship remaining requires result rhythm scale sense serve short similar simple song sound speech Śrutis stage Suddha syllables tetrachords Third tion tonality tone tonic true tuning unity upper partials usually variations vocal voice रे सा