Living Electronic MusicWhether created in a studio or performed on stage, how does electronic music reflect what is living? Drawing on ideas that explore environments and the changing situations of composition and performance, this title offers a contribution to the study of contemporary music, bridging history, aesthetics and the ideas behind performance practices. |
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acousmatic music acoustic amplification analogue Aphex Aphex Twin art music become Berio Boulez Cage Cage's classical clearly composer composer's composition concert create dance described developed diaphragm electric electroacoustic music electronic music electronica Emmerson Empreintes Digitales environment Evan Parker example feedback Ferrari field frames frequency function genres Gesang der Jünglinge gesture human ideas increasingly instrument intention interaction interfaces John Cage Karlheinz landscape listening live electronic live performance loudspeaker Luc Ferrari Mâche material metaphor microphone Midi move movement musique concrète noise objects original perceived perception percussion physical piano Pierre Pierre Schaeffer pitch play polyphony present produced projection radio range recording reference Reich relationship resonance result reverberation rhythm Schaeffer score sense signal sonic sound soundscape soundstream soundworld space spatial Squarepusher stereo Stockhausen string studio synthesis tape tradition transducer Trevor Wishart visual vocal voice Wishart Xenakis