Godard and Others: Essays on Film Form |
Contents
ACKNOWLEDGEMENTS | 9 |
The Aesthetic of the Mobile Camera | 60 |
Cinematic Metaphors | 89 |
Copyright | |
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actors Alice and Ray Alice's Restaurant Alma Alma's American genre Andrew Sarris angle Arlo Arlo's Arthur Penn artistic audience Bergman Bertolucci camera dollys Catherine characters close-up complex convey critics deal dialogue directed by Jean directed by Jean-Luc documentary dolly shots editing Elisabet emotional emphasise example eyes film director film-makers film's frame François Truffaut Fritz Lang genre films Hitchcock ideas Ingmar Bergman interview Jean Renoir Jean-Luc Godard Jules and Jim Keaton's kind Kubrick La Chinoise literally literature lyrical Madeleine Marion Masculine-Feminine Max Ophüls medium metaphors mobile camera montage motif movement movie images narrative neo-realism neo-realists Norman objects Paul Paul's Penn's perhaps permission to quote photographed plot plotless film political protagonist Psycho Renoir Rossellini scene seems sense sequence sexual shooting Sidney Lumet soundtrack space stationary set-ups story structure suggest symbolic techniques tend theme Throughout the film tion traveling shots tropes Truffaut virtually visual young