The Cryptogram

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Dramatists Play Service, Inc., 1995 - Drama - 59 pages
In this gripping short play, David Mamet combines mercurial intelligence with genuinely Hitchcockian menace. The Cryptogram is a journey back into childhood and the moment of its vanishing - the moment when the sheltering world is suddenly revealed as a place full of danger. On a night in 1959 a boy is waiting to go on a camping trip with his father. His mother wants him to go to sleep. A family friend is trying to entertain them - or perhaps distract them. Because in the dark corners of this domestic scene, there are rustlings that none of the players want to hear. And out of things as innocuous as a shattered teapot and a ripped blanket, Mamet re-creates a child's terrifying discovery that the grownups are speaking in code, and that that code may never be breakable.

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Contents

Section 1
6
Section 2
7
Section 3
32
Section 4
58

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About the author (1995)

David Mamet, November 30, 1947 - David Mamet was born on November 30, 1947 in Flossmoor, Illinois. He attended Goddard College in Vermont and the Neighborhood Playhouse School of Theater in New York. He began his career as an actor and a director, but soon turned to playwriting. He won acclaim in 1976 with three Off-Broadway plays, "The Duck Variations," "Sexual Perversity in Chicago" and "American Buffalo." His work became known for it's strong male characters and the description of the decline of morality in the world. In 1984, Mamet received the Pulitzer Prize in Literature for his play, "Glengarry Glen Ross." In 1981, before he received the Pulitzer, Mamet tried his hand at screenwriting. he started by adapting "The Postman Always Rings Twice," and then adapting his own "Glengarry Glen Ross" as well as writing "The Untouchables" and Wag the Dog." He also taught at Goddard College, Yale Drama School and New York University. Mamet won the Jefferson Award in 1974, the Obie Award in 1976 and 1983, the New York Drama Critics Circle Award in 1977 and 1984, the Outer Circle Award in 1978, the Society of West End Theater Award in 1983, The Pulitzer Prize in 1984, The Dramatists Guild Hall-Warriner Award in 1984, and American Academy Award in 1986 and a Tony Award in 1987. He is considered to be one of the greatest artists in his field.

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