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Page 12
... portrait painter the Young Man ( 626 ) is sufficient proof . Of his larger decor- ative style Mars and Venus ( 915 ) is hardly less typical . The arabesque of these two recumbent figures , completed by the line of the lance , and ...
... portrait painter the Young Man ( 626 ) is sufficient proof . Of his larger decor- ative style Mars and Venus ( 915 ) is hardly less typical . The arabesque of these two recumbent figures , completed by the line of the lance , and ...
Page 17
... painter of a number of serious and thoughtful portraits , of which that of A Young Man ( 1035 ) is a typical example . PONTORMO , too , was an artist of no mean power , and with his pupil BRONZINO maintained in Florence a dignified ...
... painter of a number of serious and thoughtful portraits , of which that of A Young Man ( 1035 ) is a typical example . PONTORMO , too , was an artist of no mean power , and with his pupil BRONZINO maintained in Florence a dignified ...
Page 24
... painter . He is admirably represented in the Gallery by a small portrait ( 2487 ) , by a characteristic Madonna ( 638 ) , and by his imposing Altar - piece ( Nos . 179 and 180 ) . Like Perugino , he is frankly attractive and restful ...
... painter . He is admirably represented in the Gallery by a small portrait ( 2487 ) , by a characteristic Madonna ( 638 ) , and by his imposing Altar - piece ( Nos . 179 and 180 ) . Like Perugino , he is frankly attractive and restful ...
Page 38
... painting of the same subject by Giovanni's brother - in - law , Mantegna ( 1417 ) . The Death of S. Peter Martyr ( 812 ) , though the attribution is contested , will serve to illustrate the painter's ... PORTRAIT OF HIMSELF ( ? ) By ANTONELLO ...
... painting of the same subject by Giovanni's brother - in - law , Mantegna ( 1417 ) . The Death of S. Peter Martyr ( 812 ) , though the attribution is contested , will serve to illustrate the painter's ... PORTRAIT OF HIMSELF ( ? ) By ANTONELLO ...
Page 45
... painting conveys , mark a still further advance upon the art of the fifteenth ... portrait in Titian's later style tends to make our view of his achievement ... painter of the striking but rather unpleasant THE DEPOSITION . By TIEPOLO ...
... painting conveys , mark a still further advance upon the art of the fifteenth ... portrait in Titian's later style tends to make our view of his achievement ... painter of the striking but rather unpleasant THE DEPOSITION . By TIEPOLO ...
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Common terms and phrases
admirable Adoration Angel Angelico Antonello artist attractive austere beauty British School Brueghel character charm Christ Cimabue Claude collection colour colourist composition contemporary decorative delightful dignity Duccio Dutch Dyck early eighteenth century English example exquisite famous fifteenth century figures Flemish Florence Florentine School followers Fra Angelico Francesco French freshness genius GENTILE BELLINI Giorgione Giotto Giovanni Bellini grandeur Hertford House Holbein ideals illustrate influence Italian painting Italy landscape large altar-piece later Leonardo less MADONNA AND CHILD master masterpiece Michelangelo Milanese Millbank modelling National Art-Collections Fund National Gallery native Netherlandish Netherlands Nicolas Poussin nineteenth century Padua painter panels Paul Veronese perfection perhaps Perugino PIERO DELLA FRANCESCA Pisanello popular portrait painter portraiture possess Poussin pre-Raphaelite pupil qualities Raphael realism Rembrandt represented Reynolds rich Rubens sculptor shows Siena Sienese specimen spirit style Tiepolo Tintoretto Titian tone tradition Trafalgar Square Turner Velazquez Venetian Venice Veronese Verrocchio