Warlords Artists and Commoners: Japan in the Sixteenth CenturyGeorge Elison, Bardwell L. Smith |
Contents
Japan in the Sixteenth Century | 1 |
The City of Sakai and Urban Autonomy | 23 |
Patterns of Momoyama History | 55 |
A Visualization of Eitokus Lost Paintings at Azuchi Castle | 87 |
Jõha a SixteenthCentury Poet of Linked Verse | 113 |
Song and the Performing Arts | 133 |
Music Cultures of Momoyama Japan | 163 |
From Its Origins to Sen no Rikyū | 187 |
Hideyoshi the Bountiful Minister | 223 |
Contributors | 281 |
Glossary | 339 |
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Common terms and phrases
aesthetic Ashikaga Azuchi Castle bakufu Buddhist Bunmei C. R. Boxer capital cha-no-yu Chinese Christian cultural daimyo dance dated decorative early Echizen Egōshū Elison entry Frois gold Gunsho Hisahide Honganji Hosokawa ibid Ieyasu ikki Ikkō imperial Iwanami Japan Japanese history Jesuit Jōha Jōō Juraku Kabuki Kadokawa kaisho Kano Eitoku Kanpaku kenkyū kinpeki Kokka kouta Kyōgen Kyoto Kyushu land Matsunaga Matsunaga Hisahide medieval merchants military Miyoshi Momoyama period Monjo Monumenta Nipponica Muromachi Nagayoshi nichiroku Nihon Koten Bungaku nikki Oda Nobunaga Odaka Okuno Osaka paintings panels performance play poetry political province rekishi renga residents Rikyū Sakai samurai screen Sen no Rikyū Sengoku sequence shamisen Shinchō kōki shogun shōhekiga shoin shrine shū Shukō sixteenth century social song style Taikei Tauezōshi tea ceremony temple Tenbun Tensho tion Tokugawa Tokugawa Ieyasu Tokyo Toyotomi Hideyoshi tradition transplanting tsuzumi village wabicha warrior Western zashiki zenshū