Balinese Music

Front Cover
Periplus Eds. (HK) Limited, 1998 - Music - 143 pages
0 Reviews
A tight interaction of melodic, rhythmic and textural components sustains the powerful orchestral gamelan music of Bali. The building blocks of the music share many traits with the larger social organization of Balinese villages, which provide a compelling setting for music that is an integral part of daily life. The primary function of music in Bali is to accompany ritual activity, but it is performed in many recreational contexts also. The instruments, most often made from bronze or bamboo, are organized into ensembles and tuned according to a set of flexibly interpreted standards. Villages may maintain one or several types of gamelan and use each for a ritually predetermined set of occasions. Music is composed, memorized, and rehearsed at the village meeting hall.

From inside the book

What people are saying - Write a review

We haven't found any reviews in the usual places.

Contents

PREFACE
6
CHAPTER
19
The Construction and Tuning of Instruments
29
Copyright

5 other sections not shown

Common terms and phrases

About the author (1998)

\Michael Tenzer teaches at the University of British Columbia and is a well-known composer of both Western and Balinese music.

Bibliographic information