Origins and development of kinetic art |
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Contents
Introduction | 7 |
Movement in the Postimpressionist era | 22 |
Movement in the arts around 1910 | 37 |
Copyright | |
9 other sections not shown
Common terms and phrases
abstract aesthetic Agam animated Art Nouveau Bauhaus began Bridget Riley chromatic cinema colour composition concerned construction create Cruz-Diez Cubists Degas Delaunay direct Duchamp dynamic effects element of movement environment exhibition experiments fact field Futurists Gabo geometrical gesture graphic important impression Impressionists interest involved Kandinsky kinetic art kinetic artists large number light and movement machine Malevich Malina Marcel Duchamp materials Max Ernst mechanical ment mobile modern Moholy-Nagy motion move nature Nouvelle Tendance objects optical painters painting Paris particular perspex picture plane plastic arts Pol Bury possibilities problem procedure projections pure real movement reflected relationship rhythm Rodin Schoffer screen sculpture sense Seurat Sonia Delaunay space spatial spectacle spectator stage structure subjective movement suggest Suprematism surface surrealist Tatlin technique theme theory three-dimensional traditional transformation transparent types of movement Vasarely vibration virtual movement visual Vorticists Wyndham Lewis Yves Klein
Bibliographic information
| Title | Origins and development of kinetic art |
| Author | Frank Popper |
| Publisher | New York Graphic Society, 1968 |
| Original from | the University of Michigan |
| Digitized | Nov 9, 2007 |
| Length | 272 pages |
| Subjects | Kinetic art |
| Export Citation | BiBTeX EndNote RefMan |