What We Hold in Common: An Introduction to Working-class Studies

Front Cover
Janet Zandy
Feminist Press at CUNY, 2001 - Business & Economics - 336 pages

"Let us imagine what it would be like," writes Janet Zandy at the outset of this ground-breaking volume, "if the history and culture of working-class people were at the center of educational practices. What would students learn?" Among other things, she suggests, "they would understand that culture is created by individuals within social contexts and that they themselves could produce it as well as consume it."

Working-class history and literature have too often been ignored in traditional curricula, remain invisible in most texts, and are unavailable to students and teachers. Essential reading for all interested in the rapidly growing field of working-class studies, What We Hold in Common offers a distinct combination of primary voices, critical essays, and resources for curriculum transformation. It deepens the understanding of working-class literature, history, culture, and artistic production, while attending to the material conditions of working-class peoples' lives.

 

Contents

Stories from a WorkingClass Childhood
10
Death Mask
24
Maida SpringerKemp and
47
Autobiography and Reconstructing Subjectivity at the Bryn Mawr
71
Working Class Consciousness in Jo Sinclairs The Seasons
96
vi
101
Teaching WorkingClass
123
A Community of Workers photos and text
142
Traveling Working Class
241
Building a Center for WorkingClass Studies at Youngstown
253
The Power of Writing
265
Race Labor and the High Life from
275
WorkingClass Studies and the Question of Proletarian Literature in
283
Poor in America syllabus
290
Who Does the Work? A OneDay Introduction to American
298
A Filmography
311

Carol Tarlen
156
Moving Toward Marginal
182
Agency and the Damaged Self
199
Notes Toward an Overview
223
Biographical Notes
327
Publication Acknowledgments
335
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