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Form and Formality in Romeo and Juliet
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actors Antony and Cleopatra audience Battenhouse become Ben Jonson Caliban Capulet century characters Christian comedy comic Coriolanus critics death Desdemona drama Dryden echo Edgar Elizabethan English essay Falstaff father Faustus figure Gloucester Hamlet Henry Henry IV hero heroine horse Hotspur human humor Italian John Jonson King Lear lago language less literary literature live London look Love's Labor's Lost lovers Macbeth main plot Malvolio Marlowe Marlowe's means ment modern Moliere moral nature never Ogburn Othello overplot Oxford play playhouse playwright poet poetic Prince Prospero Queen Renaissance repertory Richard role Roman Romeo and Juliet scene seems sense Shake Shakespeare speak speare speare's spectator stage Stratford T. S. Eliot Tamburlaine Tempest theater theatrical theme Thomas thou Timon of Athens tion Titus Andronicus tive tradition tragedy tragic Troilus and Cressida ture turn Twelfth Night underplot Venice villain word