The Interpretation of Music"First published 1954; second, revised impression 1955 " Includes index Bibliography: p 181-185. |
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accompanied appoggiatura Bach Bach's bass become beginning cello changes choir chords church clavichord complete composers concerto contemporary continuo detail direct divisions dotted earlier early early music edition editor effect eighteenth eighteenth-century English ensemble evidence examples expressed extemporization flute four French German harpsichord heard important instance instruments interpretation Italian Italy keyboard kind less lute madrigal manuscripts marked matter means medieval movement musician never notation notes once orchestra organ original ornaments performance perhaps period piano piece played player possible present printed problems proper published recorders rhythms scholar seventeenth century singers singing sixteenth century slow solo sonatas song sound sources strings style suggest suites sung symbols taste technique tenor timpani tone trochaic trombones true trumpets tune usually viol violin vocal voices whole writing written