The land where the blues began

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Pantheon Books, 1993 - Music - 539 pages
4 Reviews
Lomax, who has done more than anyone else to make black music of the South known as a glorious expression of American art, summs up sixty years of "discovering the African American musical heritage in this journey through the Mississippi Delta.

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User Review  - AliceAnna - LibraryThing

Absolutely fascinating!!! A look at the origins and development of the blues against a backdrop of the social hierarchy of Black America, particularly in the 40's and 50's. Frightening and fascinating. Read full review

LibraryThing Review

User Review  - kabouter - LibraryThing

A book about the history of the blues, it isn't a fun read, slavery and oppression are common. Alan Lomax is off course very knowledgeable about the subject which gives the book a certain authentic ... Read full review


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About the author (1993)

Born in Austin, Texas, and educated at Harvard University, the University of Texas, and Columbia University, American folklorist Alan Lomax is one of the most dedicated and knowledgeable folk-music scholars of the twentieth century. Lomax became interested in collecting and recording folk songs through the work of his father, John Avery Lomax, a curator at the Library of Congress and a pioneer in the field of folk music. After college, he toured prisons in the South, recording folk song performances for the Archive of American Song of the Library of Congress. During his travels, he met the great blues singer Huddie Ledbetter ("Leadbelly"). Lomax later became responsible for introducing radio audiences to a number of folk and blues artists, including Woody Guthrie and Burl Ives. Between 1951 and 1958, he traveled throughout Europe, recording hundreds of folk songs in England, Scotland, Italy, and Spain. His most important work is, perhaps, "The Folk Songs of North America" (1959). He also published a number of works with his father, including "American Ballads and Folk Songs" (1934) and "Folk Song: USA" (1946). In addition to his work with folk songs, Lomax was very interested in the historical and social origins of jazz, and he wrote a notable biography of the early jazzman Ferdinand "Jelly Roll" Morton entitled "Mister Jelly Roll" (1950).