F Is for Phony: Fake Documentary And Truth's Undoing |
Contents
| 39 | |
| 50 | |
Trashing Shulie Remnants from Some Abandoned Feminist History | 59 |
No Lies about Ruins | 67 |
The Past in Ruins Postmodern Politics and the Fake History Film | 76 |
Land without Bread | 91 |
Surrealist Ethnography Las Hurdes and the Documentary Unconscious | 99 |
Extracts from an Imaginary Interview Questions and Answers about Bontoc Eulogy | 116 |
Forgotten Silver A New Zealand Television Hoax and Its Audience | 171 |
The Truth about No Lies If You Can Believe It | 187 |
Screen Memories Fakeness in Asian American Media Practice | 196 |
Faking What? Making a Mockery of Documentary | 223 |
As a Finale Reflections on a Phantasm | 236 |
Filmography | 239 |
Contributors | 243 |
Index | 247 |
Makes Me Feel Mighty Real The Watermelon Woman and the Critique of Black Visuality | 130 |
The Artifice of Realism and the Lure of the Real in Orson Welless F for Fake and Other Treasueres | 143 |
Other editions - View all
F is for Phony: Fake Documentary and Truth's Undoing Alexandra Juhasz,Jesse Lerner No preview available - 2006 |
F is for Phony: Fake Documentary and Truth's Undoing Alexandra Juhasz,Jesse Lerner No preview available - 2006 |
F is for Phony: Fake Documentary and Truth's Undoing Alexandra Juhasz,Jesse Lerner No preview available - 2006 |
Common terms and phrases
actual aesthetic archival artist Asian American audience authenticity Bontoc Botes camera character Cherrybomb Cheryl Citizen Kane claims context Costa Botes critical critique cultural David Holzman's Diary direct cinema discourse docu document documentary film Dunye early cinema essay ethnographic F for Fake fake documentary fiction films film and video film's filmmakers footage forger Forgotten Silver genre hoax Hollywood Hurdanos Hurdes Ibid identity images interview Jesse Lerner Juhasz Land without Bread Lara Las Hurdes Luis Buñuel McKenzie McKenzie's memory mentary Mexican mock-documentary mode movie Museum narrative narrator newsreel nonfiction objects original Orson Padilla Pancho Villa parody past photographs Pirated play political produced question realism reality relationship represent representation role Ruins scene screen sequence shot Shulie spectator status story strategies surrealist tary television tion truth University Press Venganza de Pancho viewer visual voice voice-over Watermelon Woman Welles's York Zealand
Popular passages
Page 48 - Peter Brooks, Reading for the Plot: Design and Intention in Narrative (New York: Knopf, 1984...