Constructivism in Film - A Cinematic Analysis: The Man with the Movie Camera

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CUP Archive, Jun 25, 1993 - Performing Arts - 325 pages
A survey of the relationship between the Soviet Constructivist movement in literature, painting, architecture, design and experiments in the film medium includes a cinematic analysis of its most significant silent film The Man with the Movie Camera (1929.)
 

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Contents

Dziga Vertov and the Soviet avantgarde movement
1
Thematic meaning of The Man with the Movie Camera
70
Formal structure of The Man with the Movie Camera
129
Introductory statement of the film
201
Annotated filmography of Vertovs work
213
Biographical sketch of Vertovs career
221
Selected bibliography
229
Notes
237
Index
319
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