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Academy Adolf Menzel ancient antique artist Ary Scheffer Baudry beauty Beaux Arts became Berlin bildende Kunst Carstens Charles Charles Blanc charming classical colour Constance Mayer contemporaries Cornelius Correggio costume David death Delacroix Delaroche depicted eighteenth century English epoch Exhibition expression eyes Feuerbach figures France French art frescoes Gainsborough Gallait Gallery genius Gerard de Lairesse Gericault German German art Goethe Goya grace Greek Gros hand head Henri Regnault historical painting historical pictures history of art Hogarth honour ideal imitation Ingres Italian L'Art ladies landscape Leipzig lived London look Makart manner Menzel Michael Angelo modern Munich nature Nazarenes nineteenth century noble old masters once Overbeck painter Paris passion Paul Baudry peinture period poet portraits Prudhon Raphael Rembrandt Renaissance Revolution Reynolds Rococo Roman Romanticism Rome Rubens Salon scenes Schwind sculpture sentiment seventeenth century soul spirit style tender Thomas Gainsborough Titian to-day Wappers Watteau whole young youth
Page 58 - Nature! great parent! whose unceasing hand Rolls round the Seasons of the changeful year, How mighty, how majestic, are thy works!
Page 49 - We are all going to heaven, and Van Dyck is of the company.
Page 26 - Farewell, great painter of mankind ! Who reached the noblest point of art, Whose pictured morals charm the mind, And through the eye correct the heart If Genius fire thee, reader, stay, If Nature touch thee, drop a tear, If neither move thee — turn away — For Hogarth's honoured dust lies here.
Page 37 - Sir Joshua Reynolds was, on very many accounts, one of the most memorable men of his time. He was the first Englishman who added the praise of the elegant arts to the other glories of his country. In taste, in grace, in facility, in happy invention, and in the richness and harmony of colouring, he was equal to the great masters of the renowned ages.
Page 36 - I should desire that the last words which I should pronounce in this Academy, and from this place, might be the name of — MICHAEL ANGELO.* * Unfortunately for mankind, these were the last words pronounced by this great Painter from the Academical chair.
Page 558 - Handsomely half-bound, India Proofs, royal folio, £10 ; Large Paper copies, Artists' India Proofs, elephant folio, £20. Modern Art : A Series of superb Line Engravings, from the Works of Distinguished Painters of the English and Foreign Schools, selected from Galleries and Private Collections in Great Britain. With descriptive Text by JAMES DAFFORNE.
Page 28 - I have endeavoured to treat my subjects as a dramatic writer; my picture is my stage, and men and women my players, who by means of certain actions and gestures, are to exhibit a dumb show.
Page 292 - Mine eye runneth down with rivers of water for the destruction of the daughter of my people.