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Acciaccatura Accompanyments Admiration Air and Harmony amiss ancient Arcadians Bassoon Beauties British Library cerned Character Charles Avison Chearful chiefly Chorus Composer Composer's Concertos consider Contrivances Defect Delight distinguished dulation Effect equally Essay excellent Execution false Taste fame fect ferent former Fugues full Music gard Genius German Flute give Graces greatly Harmo Harpsichord hath hear heard Hearer human Voice Imagination Imitation Instru Instruments jects justly Kinds of musical lence Manner Masters Means Melody ment Modulation mony mould Movement musical Composition Musical Expression natural Neglect neral never noble Notes Number observed Opera Organist Painting Palestina Passions peculiar Perfection Performer perhaps Pieces pleasing Pleasure Poetry Polybius posed poser Power of Music pression principal proper raise Regard riety Sake SECT shew sical sition solemn Solo Species of Music Spirit Stile striking Style Subject sufficient Tenderness ther THOEMMES tion Tone trifling tural Variety various Violins whole Words