Lars von Trier
With the international success of Breaking the Waves (1996) and Dancer in the Dark (2000), Lars von Trier has established himself as one of the most provocative and daring film directors working in cinema today. A central figure in the conception of Dogme 95, he made the movement's most controversial film, The Idiots (1998), and has played a leading role in the recent resurgence of Danish cinema. Yet despite his success and notoriety, von Trier remains something of an enigma. Famous for not playing the game, he has been hailed as the new Godard by some and an attention-seeking charlatan by others.
Jack Stevenson uncovers the manic genius of Lars von Trier, assessing his life, work, and critical reception. The book follows von Trier from his early life as a troubled son of "cultural radical" parents through to his student days at the Danish Film School, diligently spent making films that were as innovative and disturbing as his later features have proved to be.
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From The Element of Crime to Europa and Zentropa
The Kingdom and Breaking the Waves
The Birth of Dogma and The Idiots
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Aalbaek Jensen American artistic awards Bess Bjork Bodil Breaking the Waves called camera Camre Cannes Carl Th cast cinema claimed Colour commercial concept Copenhagen creative critics culture Dancer Danes Danish film Danmarks Radio Dark Denmark director documentary Dogma 95 Dogma brothers Dogma film Dreyer editing Ekstra Bladet Element of Crime English Epidemic Ernst-Hugo Europa fact feature film Film Festival Film School film-maker film's funding Gislason Hartmann Ibid idea Idiots Images issue Jaregard Jorgen Jorgensen kind Kingdom Kirsten Rolffes Korch Lars von Trier later million kroner minutes Language Morten Arnfred movie never Palme d'Or picture played Politiken premiere production scene Schepelern screening script seemed Selma September shooting shot Soren story student studio style theatre thing Thomas Vinterberg Triers Film Trilogy Udo Kier viewers wanted Weekendavisen Windelov Zentropa
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