SaundaryaPapers presented at two colloquia held in New Delhi in 2001 and 2002 respectively. |
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Contents
Some Images of Totality | 14 |
Transcending the SubjectiveObjective Duality | 24 |
Beauty as Anandashakti in Kashmir Shaivism | 35 |
Copyright | |
13 other sections not shown
Common terms and phrases
Abhinavagupta adivasi aesthetic aesthetic experience aesthetic judgement Ajanta Amrita Sher-Gil ananda art object artists Bengali Bengali poetry Bharhut bhavana body Calcutta centre century civilisation classical colour concept consciousness contemporary context cosmic created creation creative cultural dance dancer Delhi depicted discourse divine Dodiya draw emotions example expression figures Gandhi Ganga Ganga Devi Gitobitan Goddess Hindu human icons idea images Indian art Indian painting individual intellectual Kalidasa kavya Krishna Kshemaraja ksne language literary literature living manuscripts meaning memes mind modern Mughal narrative nature Natyashastra objects of beauty painter patterns perception perspective pilgrimage poem poet poetic poetry political public sphere rasa realised ritual sacred Sanskrit saundarya says sculpture self-understanding sense Shakti Shiva shringar social society space spiritual structure sundar Sundaram swaraj symbols Tagore Tagore's Tantraloka temple textile theory tirtha tradition transcendence truth University Varanasi verse Vishnudharmottara-Purana Warli woman words Yoga
Bibliographic information
| Title | Saundarya |
| Editors | Harsha Venilal Dehejia, Makarand R. Paranjape |
| Contributor | Samvad India |
| Publisher | Samvad India Foundation, 2003 |
| Original from | the University of Michigan |
| Digitized | Nov 16, 2009 |
| ISBN | 819013180X, 9788190131803 |
| Length | 365 pages |
| Subjects | › Philosophy / Aesthetics |
| Export Citation | BiBTeX EndNote RefMan |