Saundarya, the Perception and Practice of Beauty in IndiaPapers presented at two colloquia held in New Delhi in 2001 and 2002 respectively. |
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Contents
Some Images of Totality | 14 |
Celestial Beauties in Temple | 44 |
Beauty in the Human Form in Sixteenth Century | 73 |
Copyright | |
11 other sections not shown
Common terms and phrases
according adivasi aesthetic ananda appears artists associated beauty becomes body called century classical colour common concept considered context continuous created creation creative critical cultural dance Delhi depicted desire discussion divine draw early emotions entirely example existence experience expression face fact feeling figures gives hand Hindu human idea images important Indian individual kind knowledge Krishna language linguistic literary literature living look meaning mind modern narrative nature object painter painting patterns perhaps Persian perspective poet poetic poetry political possible present produced question rasa realised reality refers reflection remains sacred Sanskrit saundarya says seen sense Series social society space sphere story structure style suggest symbols Tagore temple textile theory things tradition truth turn understanding University values wall whole woman
Bibliographic information
| Title | Saundarya, the Perception and Practice of Beauty in India |
| Editors | Harsha V. Dehejia, Makarand R. Paranjape |
| Contributor | Samvad India |
| Publisher | Samvad India Foundation, 2003 |
| Original from | the University of Michigan |
| Digitized | Nov 16, 2009 |
| ISBN | 819013180X, 9788190131803 |
| Length | 365 pages |
| Export Citation | BiBTeX EndNote RefMan |