Aesthetics of Built Form
This book concentrates on presenting facts and opinions about the ways in which people respond to built form, drawing on a wide range of literature written by theorists, critics, and practicing architects. The subject matter incorporates perspectives from the psychology of aesthetic appreciation, the linguistic content of built form, the social ramifications of architecture, and, as an extension of this, the often fraught dialogue between the architect and the engineer. The book is richly illustrated with examples of buildings from all periods in history, and should be a stimulating addition to the continuing and topical debate between functionalist and aesthetic considerations affecting the planning of buildings.
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Terms and concepts in aesthetics
Perception and formal analysis
9 other sections not shown
aesthetic aesthetic experience aesthetic object appearance applied approach architects Archt Arnheim artist associations Bauhaus beauty bridge building built form Cedric Price Centre century Chapter Charles Jencks classical architecture classicists Collins colour columns complex concept concerned concrete considered construction contrast conventional Corbusier critics defined described developed discussed economic effect elegance elements emotional Engrs Eugene Viollet-le-Duc example expression facade factors Farnsworth House feel formal function functionalist Gauldie Geoffrey Scott Gothic idea ideal important impression industrial influence intellectual interest interpretations Jencks kind permission Kisho Kurokawa language Ligo machine meaning modern movement modernist moral nature observer ornament painting perception Peter Collins philosophy photograph political post-modern principles problem proportions Ptnrs qualities rational recognize Renaissance Renaissance architecture Reproduced by kind Reproduced by permission response roof seen sense similar social sort space space frames style suggested surfaces symbolism texture theory visual weight wall Zurko