Art in China

Front Cover
Oxford University Press, 2009 - Art - 276 pages
China boasts a history of art lasting over 5,000 years and embracing a huge diversity of forms - objects of jade, lacquer and porcelain, painted scrolls and fans, sculptures in stone, bronze and wood, and murals. But this rich tradition has not, until now been fully appreciated in the West where scholars have focused attention on the European high arts of painting and sculpture, downplaying arts more highly prized by the Chinese themselves, such as calligraphy. Art in China marks a breakthrough in the study of the subject. Drawing on recent innovative scholarship - and newly-accessible studies in China itself - Craig Clunas surveys the full spectrum of the visual arts in China. He ranges from the Neolithic period to the art scene of the early 21st century, examining Chinese art in a variety of contexts - as it has been designed for tombs, commissioned by rulers, displayed in temples, created by the men and women of the educated elite, and bought and sold in the marketplace. This updated edition contains expanded coverage of modern and contemporary art, from the fall of the empire in 1911 to the growing international interest in the art of an increasingly confident and booming China.

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User Review  - xuebi - LibraryThing

A detailed and interesting overview of Chines art from prehistory to the modern day. Highly accessible for all types of readers, and written in a lively manner. Read full review

Art in China

User Review  - Not Available - Book Verdict

These two current overviews of Chinese art take very different approaches. Keeper of the Department of Eastern Art at the Ashmolean Museum, Oxford, Tregear offers a chronologically organized work that ... Read full review


Art in the Tomb
Art at Court

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About the author (2009)

Craig Clunas has worked as a curator of Chinese art at the Victoria and Albert Museum, and taught at Sussex University and the School of Oriental and African Studies, London University. He was appointed Professor of the History of Art, University of Oxford in 2007, where he is the first holder of the chair to specialise in art from Asia.

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