Jazz, a Listener's GuideThe first edition covered the beginning of free jazz and jazz-rock fusion; this edition, which emphasizes listening, continues into the 1980s and early 1990s. Musical terms are introduced where needed and always in connection with specific musical composition. |
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Page 46
... 32 - bar aaba song form , with an 18 - measure " trio " C , two 8 - bar phrases plus a 2 - measure extension at the end . We are calling this latter section a " trio " not because it's played by three instruments ( it's a solo over the ...
... 32 - bar aaba song form , with an 18 - measure " trio " C , two 8 - bar phrases plus a 2 - measure extension at the end . We are calling this latter section a " trio " not because it's played by three instruments ( it's a solo over the ...
Page 47
James McCalla. intro 8 bars aaba 32 bars C 18 bars 18 bars aaCa 42 bars C Low saxes , bowed ( not plucked ) bass , etc .; the backup harmonies for the a phrases of the main chorus Miley , " growl " trumpet solo with plunger mute Carney ...
James McCalla. intro 8 bars aaba 32 bars C 18 bars 18 bars aaCa 42 bars C Low saxes , bowed ( not plucked ) bass , etc .; the backup harmonies for the a phrases of the main chorus Miley , " growl " trumpet solo with plunger mute Carney ...
Page 61
... 32 - bar aaba , with a 4 - bar interlude between the second and third choruses , and an extension , an extra aa , at the end . Pay attention to who plays which phrases and choruses , how the sections are combined or contrasted , and so ...
... 32 - bar aaba , with a 4 - bar interlude between the second and third choruses , and an extension , an extra aa , at the end . Pay attention to who plays which phrases and choruses , how the sections are combined or contrasted , and so ...
Contents
THE BEGINNINGS | 1 |
FROM BIRD TO TRANE | 3 |
AfroAmerican Roots | 7 |
Copyright | |
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Common terms and phrases
12-bar blues 16 bars 32-bar aaba 4-bar phrases alto sax banjo baritone sax basic bass beats Bechet beginning Benny Goodman Bessie Smith big band Billie Holiday boppers brass break Bud Powell call-and-response chapter Charlie Parker chords clarinet classic coda composition cool cornet Count Basie Dizzy Gillespie drums Duke Ellington early jazz ensemble example Fletcher Henderson free jazz fusion Grandpa's Spells guitar harmonies hear heard horns improvisation instruments intro jazz musicians Jelly Roll Morton Jimmy John Coltrane Johnny Hodges kind Konitz Lester Young listen Louis Armstrong Louis Toodle-Oo Max Roach melody meter Miles Davis Mingus notes Orchestra Orleans jazz pattern percussion pianist piano players playing Quartet ragtime Recorded rhythm section rhythmic riff second chorus singer singing Smithsonian Collection solo soloists song Sonny sound standard stop-time strophic style Swing tempo tenor sax texture thematic chorus timbre tion trombone trumpet tuba tune vocal York