Screen-based ArtAnnette W. Balkema, Henk Slager In the 21st century, the screen - the Internet screen, the television screen, the video screen and all sorts of combinations thereof - will be booming in our visual and infotechno culture. Screen-based art, already a prominent and topical part of visual culture in the 1990s, will expand even more. In this volume, digital art - the new media - as well as its connectedness to cinema will be the subject of investigation. The starting point is a two-day symposium organized by the Netherlands Media Art Institute Montevideo/TBA, in collaboration with the L&B (Lier en Boog) series and the Amsterdam School of Cultural Analysis (ASCA). Issues which emerged during the course of investigation deal with questions such as: How could screen-based art be distinguished from other art forms? Could screen-based art theoretically be understood in one definite model or should one search for various possibilities and/or models? Could screen-based art be canonized? What are the physical and theoretical forms of representation for screen-based art? What are the idiosyncratic concepts geared towards screen-based art? This volume includes various arguments, positions, and statements by artists, curators, philosophers, and theorists. The participants are Marie-Luise Angerer, Annette W. Balkema, René Beekman, Raymond Bellour, Peter Bogers, Joost Bolten, Noël Carroll, Sean Cubitt, Călin Dan, Chris Dercon, Honoré d'O, Anne-Marie Duquet, Ken Feingold, Ursula Frohne, hARTware curators, Heiner Holtappels, Aernout Mik, Patricia Pisters, Nicolaus Schafhausen, Jeffrey Shaw, Peter Sloterdijk, Ed S. Tan, Barbara Visser and Siegfried Zielinski. |
Contents
9 | |
13 | |
21 | |
René Beekman Composing Images | 29 |
Raymond Bellour Challenging Cinema | 35 |
Peter Bogers Limitations and Imperfections | 44 |
Joost Bolten The Medium in the Middle | 49 |
Noël Carroll Forget the Medium | 55 |
Chris Dercon StillA Novel | 99 |
Patricia Pisters Molecular Processes of Becoming | 107 |
Ed Tan The Filmic Image as an Icon of Cultural Memory | 114 |
Ursula Frohne Illusions of Experience | 123 |
HARTware curators Observations on TechnoArt | 128 |
Heiner Holtappels Topicalism and the Design of Time | 135 |
Aernout Mik Staged Situations | 141 |
Nicolaus Schafhausen Communication Torture | 145 |
Sean Cubitt The Chronoscope | 63 |
Călin Dan Growing Old in New Media | 73 |
Honoré dO Theatrical Video | 78 |
AnneMarie Duquet Scenography of the Image | 81 |
Ken Feingold Contextual Consciousness | 88 |
Symposium Filmic Images | 95 |
Jeffrey Shaw Media Art and Interactive Cinema | 148 |
Peter Sloterdijk Neolithic Intelligence | 157 |
Barbara Visser Blurring Boundaries | 169 |
Siegfried Zielinski Time Machines | 173 |
Participants | 185 |
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