An Introduction to Musical History |
Contents
The Scope of Musical History | 11 |
The Sources | 20 |
The Musician and his Environment | 112 |
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accepted aria Arthur Mendel artist Bach and Handel Bach Reader Bach's baroque bass Beethoven Berlioz cantatas cathedral chant Chapel Royal church music composers composition concerto contemporary conventions criticism David and Arthur early eighteenth edition eighteenth century England English environment Ernest Newman expression fact figured bass Francesco Landini French gramophone records Handel Haydn historians history of music homophony Ibid idioms individual influence instrumental music Italian Italy J. S. Bach kind large number Leipzig letters Liszt London madrigal medieval medieval music melodies merely modern motet Mozart music examples music-lovers musical history musicians natural nineteenth century notation opera oratorio orchestra original Oxford History Palestrina particular passion patronage patrons performance period piano plainsong playing polyphony practice printed published Purcell Reader New York Romantic Schubert secular music seventeenth century singers singing sixteenth century solo song style suggest survived symphony taste tion tradition true volume Wagner writing written