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THE SPIRITUALITY OF EARLY CHRISTIAN
MAGIC AND NATURALISM
ANIMISM AND GEOMETRISM
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abstract Aeschylus aesthetic already ancient Ancient-Oriental archaic aristocracy artistic become beginning bourgeois bourgeoisie Byzantine art Carolingian art century character chivalric Church classical antiquity completely connected conservatism court courtly culture democracy early Middle Ages economy elements epic Euripides expression fact feudal formal forms frontality geometric style Gothic Gothic art Greek hand Hellenistic heroic lay history of art Homeric Ibid idea ideal individual influence intellectual Julius Lange kalokagathia kings knights Kunst labour later less longer lyric magic means medieval ment merely middle class Middle Kingdom Minnesangs minstrel modern monasteries monks naturalism naturalistic Neolithic Neolithic age nobility noble origin outlook painter painting Palaeolithic peasant period picture Pindar poems poet poetry popular portraits prehistoric primitive production purely reality religious representation Roman Romanesque Romanesque art sculpture secular singer social society songs Sophocles spiritual stylization tendency theatre tion tradition troubadour upper class urban whole Wilhelm Hausenstein workshops